Karolina Waz is a fashion model from Poland. She made her debut during the 2012 spring/summer season where she opened for Marc Jacobs and BCGB Max Azria in New York.
She also opened for Richard Nicholl in London and Just Cavalli in Milan.
Karolina Waz has also walked for Topshop Unique, Elie Tahari, BCBG Max Azria, Marc Jacobs, Sharon Wauchob, Carlos Miele, Gabriele Colangelo, Richard Nicoll, Celine, Jean-Charles de Castelbajac, Chanel, Giles, Yohji Yamamoto, Ports 1961, Vera Wang, Thakoon, Antonio Berardi, Julien David, Tory Burch, Band of Outsiders, Shiatzy Chen, Y-3, Christopher Kane, Jil Sander, Cushnie et Ochs, Versus, Fendi, Doo.Ri, Acne, Michael Kors, Just Cavalli and Trussardi.
She has also done ad work for H&M and Topshop Unique.
She has appeared in editorials for Dazed & Confused, Viva! Moda, French, Love, i-D, Common&Sense, 10, Ones2Watch and The Sunday Times Style Magazine.
Karolina Waz has signed with Vivien’s Model Management Sydney, Elite Stockholm, TFM Oslo, Munich Models, ModelWerk Hamburg, 2pm Model Management Copenhagen, Dominique Models Brussels, Uno Models Barcelona, Elite London, Elite Milan and Elite Paris.
In 2011, Karolina Waz was signed with Ford Models.
She made her debut in 2011, by opening for the spring show of BCBG Max Azria in New York and also opened for Richard Nicoll, Marc by Marc Jacobs and Just Cavalli. She also walked for Celine, Fendi, Versus an Gareth Pugh in Milan and Paris.
In 2012, Karolina Waz was in an ad campaign for Various campaigns, she featured in editorials for Topshop, Dazed & Confused and 10 Magazine; she was on the cover for Elle Poland and walked for J.Crew, The Row, VPL, PPQ, Chanel and others.
In 2013, she did an ad campaign for Esprit, editorials for Vestal Magazine, Amica and S Magazine and was on the cover of S Magazine. She also walked for Whistles, PPQ, Jasper Conran and others.
More recently in 2014, she walked for The Row, Julien Macdonald, Michael van der Ham, and Roksanda Ilinsic. She also did an editorial or Vs. Magazine.
In 2015, Karolina Waz was in an editorial for L’Officiel Mexico.