Emil Dostovic
Emil Dostovic is a Bosnian male model that has been in an ad campaign for Givenchy and has appeared in a number of editorials.
Personal Details
- Nationality: Bosnian
- Height: 6’3”
- Chest: 38”
- Waist: 32”
- Hair Color: Black
- Eye Color: Brown
- Shoe Size: 12 UK
Agencies
Emil Dostovic is signed with Modelwerk Hamburg and Independent Model Management Milan.
Work History by Year
In 2009 Emil Dostovic appeared in an editorial for the December issue of Sport & style that was called Boot Camp, which was photographed by Richard Phibbs.
In 2010 he appeared in an editorial for the March issue of GQ Magazine US that was called The Best New Designers in America 2010, which was photographed by Peggy Sirota. He appeared in an editorial for the spring issue of Arena Homme + that was called Riccardo Tisci and The Making Of The Givenchy Man that was photographed by Willy Vanderperre. He appeared in an editorial for the June issue of Vogue Paris that was called Coup de Foudre, which was called Mert Alas and Marcus Piggott. He was in the spring ad campaign for Givenchy.
In 2011 he appeared in an editorial for the April issue of i-D Magazine that was called Show Yourself, which was photographed by Karim Sadli. He appeared in an editorial for the June issue of S Moda for El Pais that was called Jonathan and Emil by Nico. He appeared in an editorial for the fall issue of 7th Man Magazine that was called By Grant Thomas. He appeared in an editorial for the October issue of L’Autre Magazine that was called Monochrome.
In 2012 he appeared in an editorial for the November issue of U Magazine that was called A Private Session, which was photographed by Joseph Lally. He appeared in an editorial for the December issue of Elle Korea that was called The Youth 1 New York by Ming Ryoung.
In 2013 he appeared in an editorial for the January issue of Supplementaire that was called When Emil Met Marc, which was photographed by Joseph Lally. He appeared in an editorial for the February issue of Interview Magazine that was called Getting Steamy, which was photographed by Robbie Fimmano. He appeared in an editorial for the spring issue of Bon Magazine that was called We Can’t Go On With Suspicious Minds, which was photographed by Maurizio Bavutti. He was in the January cover of Supplementaire.